Astronaut José Hernández Boards Discovery

In this photo from Aug. 7, 2009, Jose Hernandez, mission specialist, smiles at the camera as he waits for his turn to enter the space shuttle Discovery as part of STS-128. It was the 128^th Shuttle mission and the 30^th mission to the International Space Station. While at the orbital lab, the STS-128 crew conducted three spacewalks.

Hernandez joined NASA’s Johnson Space Center in Houston in 2001. There, he was a materials research engineer in the Materials & Processes branch; eventually, he became branch chief. In 2004, he was selected as an astronaut candidate, and in 2009, he became a crew member of STS-128.

Get to know some of our Hispanic colleagues, past and present, during Hispanic Heritage Month.

Image credit: NASA/Jim Grossmann

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Monika Luabeya

NASA Awards Contract Extension for Solar Science Instrument

NASA has awarded a contract extension to Stanford University, California, to continue the mission and services for the Helioseismic and Magnetic Imager (HMI) instrument on the agency’s Solar Dynamics Observatory (SDO).

The cost-reimbursement, no fee contract extension provides for support, operation, and calibration of the HMI instrument, which is one of three main instruments on SDO. In addition, the extension provides for operating and maintaining the Joint Science Operations Center – Science Data Processing facility at Stanford as well as the HMI team’s support for Heliophysics System Observatory science.

The period of performance for the extension runs Tuesday, Oct. 1, through Sept. 30, 2027. The extension increases the total contract value for HMI services by about $12.5 million — from $173.84 million to $186.34 million.

SDO’s mission is to help advance our understanding of the Sun’s influence on Earth and near-Earth space by studying how the star changes over time and how solar activity is created. Understanding the solar environment and how it drives space weather is vital to protecting ground and space-based infrastructure as well as NASA’s efforts to establish a sustainable presence on the Moon with Artemis. The study of the Sun also teaches us more about how stars contribute to the habitability of planets throughout the universe.

The SDO mission launched in February 2010 with science operations beginning in May of that year. The HMI instrument on SDO studies oscillations and the magnetic field at the solar surface, or photosphere.

For information about NASA and agency programs, visit:

https://www.nasa.gov/

Jeremy Eggers
Goddard Space Flight Center, Greenbelt, Md.
757-824-2958
jeremy.l.eggers@nasa.gov

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Rob Garner

NASA Relaunches Art Program with Space-Themed Murals

NASA launched the next phase of its art program with two new space-themed murals in New York’s Hudson Square neighborhood in Manhattan. The vision of the reimagined NASA Art Program is to inspire and engage the Artemis Generation with community murals and other art projects for the benefit of humanity. 

“To continue pushing the boundaries of discovery and exploration we’ll need future generations to think critically and use creativity and ingenuity to solve some of our biggest challenges, and art is essential in preparing young minds for this task,” said NASA Deputy Administrator Pam Melroy. “I am thrilled that NASA’s Art Program is returning with such an impactful project that will inspire the next generation – the Artemis Generation – to be curious, dream big, and hopefully join us in our work at NASA someday.”

For its inaugural project NASA collaborated with the Hudson Square Business Improvement District on an open call for New York-based artists to design and install a large-scale mural inspired by NASA’s work and missions.

The two side-by-side murals, titled To the Moon, and Back, are located at 350 Hudson Street and were created by New York-based artist team Geraluz and WERC. The team received a small award for design fees, materials, labor, and equipment, with a portion of funds provided by NASA and matched by Hudson Square Business Improvement District.

The piece illustrates a cosmic future with a universe of possibilities expressed through the dreams and aspirations of children. The use of geometrical patterns invites deeper reflection on the exploration, creativity, and our connection with the cosmos.

“We are thrilled to partner with NASA on this visionary project, bringing together the exciting world of space exploration and the vibrant, creative energy of Hudson Square. This installation is not just a celebration of NASA’s incredible mission, but a continuation of our commitment to transforming the public realm through groundbreaking public art,” said Samara Karasyk, president of Hudson Square Business Improvement District. “It will inspire the next generation, ignite curiosity about space exploration, and strengthen our neighborhood’s identity as a limitless hub for creativity, mirroring the infinite possibilities of outer space. We can’t wait to see how this installation captivates both locals and visitors alike.”

NASA has long used art to tell the story of its awe-inspiring missions. Soon after its inception, the agency started a formal program commissioning artists to develop inspiring pieces like portraits and paintings that highlighted an unexpected side of the agency. In 1962, NASA’s then Administrator James Webb tasked staffer and artist James Dean with implementing the new program, and with the help of the National Gallery of Art, Dean laid the framework to artistically capture the inspiration of NASA’s Apollo program. As the NASA Art Program continues to evolve, the agency remains focused on inspiring and engaging the next generation of explorers – the Artemis Generation – in new and unexpected ways, including through art.

For more information on the NASA missions that will inspire future projects:

https://www.nasa.gov

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Sols 4314-4315: Wait, What Was That Back There?

Earth planning date: Monday, Sept. 23, 2024

After a busy weekend of activities, Curiosity is ready for another week of planning. One of the activities over the weekend was our periodic check-in on our wheels to see how they are holding up on the rough terrain. The image shows the MAHLI view of the right-middle (RM) wheel, which is still holding up well despite taking some of the worst abuse from Mars.

We are planning contact science with APXS and MAHLI on “Burst Rock,” which is a target that has an interesting texture and has bright-toned clasts and a gray coating. It is part of the Gediz Vallis Ridge channel deposits and will help out understanding of the channel. Unfortunately, it was too rough to brush, but it is clean enough that we can still get good science data.

We are doing a lot of imaging and remote science today. We are taking Mastcam mosaics of multiple targets. “Log Meadow” is a target designed to get a look at the distribution of the white stones in the channel. “Grand Sentinel” is a target on the opposite side of our previous workspace, allowing us to document it from a different angle. “Tunnel Rock” and “Tombstone Ridge” are sedimentary rocks that may have ripple-like layers; examining the layer contours helps inform how rocks were formed. Lastly, “Gravel Ridge” is a target in “Arc Pass” where we are continuing to examine clasts and sedimentary layers. We also take a ChemCam LIBS observation of Log Meadow and a long-distance RMI image of “Chanbank,” another area of white stones. We round it off with a Navcam mosaic of the rover to monitor dust on the deck. 

After wrapping up the targeted and contact science, we’re ready to drive. As the science team had time to look a bit more at the data collected in that region, they discovered this target that was worth going back for. We are driving back to the area of the white stones to do more contact science on rocks that look similar to the elemental sulfur we saw earlier this year. Planning ahead, I got to scout this drive on Friday, laying out the safest path and looking for parking spots that were both good for communications as well as for doing contact science. The target “Sheep Creek” is about 50 meters (about 164 feet) to the northeast, which makes the drive a challenge — the resolution of our imagery at that range makes it harder to pinpoint these small rocks. We do have really good imaging in that direction, and the terrain isn’t super scary, so the Rover Planners are going to try to make it in one drive. During the drive, we will be taking a MARDI “sidewalk” movie (a series of images looking below the rover for the entire length of the drive), which will help document the channel. On the second sol of the plan, we do some additional atmospheric and untargeted science. We have a Navcam suprahorizon movie (looking at the crater rim to evaluate dust in the atmosphere) and a dust devil movie. We also have a ChemCam AEGIS observation, where the rover will autonomously select a target to image. Overnight, CheMin does an “empty cell” analysis to confirm that the system is cleaned out and ready for the next sampling campaign.

Written by Ashley Stroupe, Mission Operations Engineer at NASA’s Jet Propulsion Laboratory

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