NASA’s Spanish-language Podcast Returns for New Season

NASA’s Spanish-language Podcast Returns for New Season

Podcast art for Universo curioso de la NASA, the agency’s first podcast in Spanish, which returns for a second season in September 2024. Credits: NASA / Krystofer Kim

Lee este comunicado de prensa en español aquí.

In celebration of Hispanic Heritage Month, NASA is releasing new content for Universo curioso de la NASA, the agency’s first Spanish-language podcast, now in its second season. A five-week season starts Tuesday with new episodes released weekly.

Listen to the preview of the second season of Universo curioso de la NASA.

In each episode, Universo curioso highlights the contributions of NASA’s Hispanic and Latino workforce to the agency’s work in Earth and space exploration for the benefit of all.

“Through the Universo curioso de la NASA podcast, we are thrilled to tell the story of NASA’s efforts to open space to more people from across the world,” said Tonya McNair, deputy associate administrator for NASA’s Space Operations Mission Directorate in Washington. “In the second season, you’ll hear from NASA’s Hispanic and Latino workforce, like flight director Diana Trujillo and astronaut Marcos Berríos, helping lead some of the agency’s most vital space exploration missions and inspiring the world through discovery.”

Episodes focus on some of NASA’s top missions, bringing the wonder of exploration, space technology, and scientific discoveries to Spanish-speaking audiences around the world. 

“This podcast highlights NASA’s dedication to making knowledge available to all, regardless of their native language,” said Shahra Lambert, NASA senior advisor for engagement. “By sharing the excitement of NASA’s missions in the second most spoken language in the U.S. and around the world, we are amplifying our outreach and possibly paving the way for a more diverse STEM workforce in the future.”

The first episode of Universo curioso ran in 2021, as part of the agency’s Spanish coverage of the launch of its James Webb Space Telescope. In 2023, the show was selected as a “Podcast We Love” by Apple Podcasts Latin America.

Hosted by Noelia González, communications specialist at NASA’s Goddard Space Flight Center in Greenbelt, Maryland, listeners are invited to go on a journey to one of Jupiter’s icy moons, hear about the first two years of discoveries of the James Webb Space Telescope, as well as learn about an astronaut from Puerto Rico’s and a Colombian flight director’s path to NASA.

Episodes will cover the upcoming launch of Europa Clipper in October 2024, a mission that aims to determine whether there are places below the surface of Jupiter’s icy moon, Europa, that could support life.

A complete list of the new episodes, as well as their release dates, is as follows:

  • Tuesday, Sept. 17: Introducing the Second Season
  • Tuesday, Sept. 24 Diana Trujillo: From Cali to the Moon and Mars
  • Tuesday, Oct. 1 Europa Clipper: A Poetic Journey to Jupiter’s Moon
  • Tuesday, Oct. 8 Marcos Berríos: How to Become a NASA Astronaut
  • Tuesday, Oct. 15: Exploring Cosmos with Webb

Universo curioso de la NASA is a joint initiative of the agency’s Spanish-language communications and audio programs. The new season, as well as previous episodes, are available on Apple Podcasts, Spotify, and NASA’s website.

Listen to the podcast at:

https://www.nasa.gov/universo-curioso-de-la-nasa

-end-

María José Viñas / Cheryl Warner
Headquarters, Washington
240-458-0248 / 202-358-1600
maria-jose.vinasgarcia@nasa.gov / cheryl.m.warner@nasa.gov

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Abbey A. Donaldson

Sols 4307-4308: Bright Rocks Catch Our Eyes

Sols 4307-4308: Bright Rocks Catch Our Eyes

2 min read

Sols 4307-4308: Bright Rocks Catch Our Eyes

A grayscale view of the Martian surface shows undulating terrain rising gently toward the upper right of the frame, where it reaches a hill that then extends at a 45-degree angle to the top-right corner of the image. Off in the distance at the far left is another butte rising from the ground. The rocks and soil throughout are mainly medium to dark gray, except for several brightly colored rocks scattered around the scene that stand out from the rest.
NASA’s Mars rover Curiosity captured this image while exploring a rock-strewn channel of Gediz Vallis on the Red Planet. Mission scientists were particularly intrigued to investigate several bright-toned rocks (at the middle-right, bottom-right and bottom-center of the image), similar to rocks that Curiosity had encountered previously that were unexpectedly rich in sulfur. This image was taken by Left Navigation Camera aboard Curiosity on Sol 4306 — Martian day 4,306 of the Mars Science Laboratory Mission — on Sept. 16, 2024 at 12:47:18 UTC.
NASA/JPL-Caltech

Earth planning date: Monday, Sept. 16, 2024

We made good progress through Gediz Vallis in the weekend drive, landing in a segment of the channel containing a mix of loose rubble and other channel-filling debris. Amongst the jumbled scene, though, particular objects of interest caught our eye: bright rocks. In past workspaces in Gediz Vallis, similar bright rocks have been associated with very high to almost pure sulfur contents. As all good geologists know, however, color is not diagnostic, so we cannot assume these are the same as sulfur-rich rocks we have encountered previously. The only way to know is to collect data, and that was a significant focus of today’s plan.

We planned multiple mosaics across the examples of bright rocks visible in the image above. Mastcam and ChemCam RMI will cover “Bright Dot Lake” and “Sheep Creek” both in the right midfield of the image. Mastcam imaged the example in the bottom right corner of the image at “Marble Falls,” and ChemCam LIBS targeted one of the small bright fragments along the bottom of the image at “Blanc Lake.” There was also a small bit of bright material in the workspace, but unfortunately, it was not reachable by APXS. APXS analyzed a spot near the bright material, at target “Frog Lake,” and MAHLI was able to tack on a few extra images around that target that should capture the bright material. MAHLI also imaged a vuggy target in the workspace at “Grasshopper Flat.”  The wider context of the channel was also of interest for imaging, so we captured the full expanse of the channel with one Mastcam mosaic, and focused another on mounds distributed through the channel at target “Copper Creek.”

Even with all this rock imaging, we did not miss a beat with our environmental monitoring. We planned regular RAD, REMS, and DAN measurements, mid and late day atmospheric dust observations, a cloud movie, and dust devil imaging. 

Our drive is planned to take us up onto one of the ridges in the channel. Will we find more bright rocks there? Or something new and unexpected that was delivered down Gediz Vallis by some past Martian flood or debris flow? Only the channel knows!

Written by Michelle Minitti, Planetary Geologist at Framework

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Sep 17, 2024

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Technicians Work to Prepare Europa Clipper for Propellant Loading

Technicians Work to Prepare Europa Clipper for Propellant Loading

Image shows NASA's Europa Clipper spacecraft inside the agency's Payload Hazardous Serving Facility at Kennedy Space Center. The spacecraft will investigate Jupiter's moon, Europa.
Technicians work to complete operations before propellant load occurs ahead of launch for NASA’s Europa Clipper spacecraft inside the Payload Hazardous Servicing Facility at the agency’s Kennedy Space Center in Florida on Tuesday, Sept. 11, 2024.
NASA/Kim Shiflett

NASA’s Europa Clipper mission moves closer to launch as technicians worked on Wednesday, Sept. 11, inside the Payload Hazardous Servicing Facility to prepare the spacecraft for upcoming propellant loading at the agency’s Kennedy Space Center in Florida. 

The spacecraft will explore Jupiter’s icy moon Europa, which is considered one of the most promising habitable environments in the solar system. The mission will research whether Europa’s subsurface ocean could hold the conditions necessary for life. Europa could have all the “ingredients” for life as we know it: water, organics, and chemical energy.

Europa Clipper’s launch period opens on Thursday, Oct. 10. It will lift off on a SpaceX Falcon Heavy rocket from Kennedy’s Launch Complex 39A. The spacecraft then will embark on a journey of nearly six years and 1.8 billion miles before reaching Jupiter’s orbit in 2030.

The spacecraft is designed to study Europa’s icy shell, underlying ocean, and potential plumes of water vapor using a gravity science experiment alongside a suite of nine instruments including cameras, spectrometers, a magnetometer, and ice-penetrating radar. The data Europa Clipper collects could improve our understanding of the potential for life elsewhere in the solar system.

Photo credit: NASA/Kim Shiflett

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Leejay Lockhart

NASA Completes Spacecraft to Transport, Support Roman Space Telescope

NASA Completes Spacecraft to Transport, Support Roman Space Telescope

the Roman spacecraft bus
This enormous piece of space hardware is NASA’s Nancy Grace Roman Space Telescope’s spacecraft bus, which will maneuver the observatory to its place in space and enable it to function while there. It is photographed here in the largest clean room at NASA’s Goddard Space Flight Center, where engineers are inspecting it upon delivery. The bus rests atop an aluminum ring that will temporarily protect its underside. The two copper-colored flaps are Roman’s Lower Instrument Sun Shade –– deployable panels designed to help shield the observatory from sunlight.
NASA/Chris Gunn

The spacecraft bus that will deliver NASA’s Nancy Grace Roman Space Telescope to its orbit and enable it to function once there is now complete after years of construction, installation, and testing.

Now that the spacecraft is assembled, engineers will begin working to integrate the observatory’s other major components, including the science instruments and the telescope itself.

“They call it a spacecraft bus for a reason — it gets the telescope to where it needs to be in space,” said Jackie Townsend, the Roman deputy project manager at NASA’s Goddard Space Flight Center in Greenbelt, Maryland. “But it’s really more like an RV because it has a whole assortment of functions that enable Roman to accomplish its scientific goals while out there too.”

Those goals include surveying wide swaths of the universe to study things like: dark energy, a mysterious cosmic pressure thought to accelerate the universe’s expansion; dark matter, invisible matter seen only via its gravitational influence; and exoplanets, worlds beyond our solar system.

The mission’s science wouldn’t be possible without a spacecraft to transport the telescope, point the observatory toward different cosmic targets, provide power, communicate with Earth, control and store instrument data, and regulate Roman’s temperature. Nearly 50 miles of electrical cabling are laced throughout the assembly to enable different parts of the observatory to communicate with each other.

The spacecraft will also deploy several major elements that will be stowed for launch, including the solar panels, deployable aperture cover, lower instrument Sun shade, and high-gain antenna. It’s also responsible for collecting and beaming down data, which is no small task for a space observatory that will survey the cosmos like Roman will.

“Roman will send back 1.4 terabytes of data per day, compared to about 50 to 60 gigabytes from the James Webb Space Telescope and three gigabytes from the Hubble Space Telescope,” said Jason Hylan, the Roman observatory manager at NASA Goddard. “Webb’s daily downlink is roughly comparable to 13 hours of YouTube video at the highest quality while Roman’s would amount to about 2 weeks.”

the Roman spacecraft bus
This top-down view shows NASA’s Nancy Grace Roman Space Telescope’s spacecraft bus from another angle. It rests atop an aluminum ring that will not be part of the observatory and is surrounded by an enclosure used in testing to ensure electromagnetic interference will not affect the bus’s sensitive electronics. The bus is covered in gray bagging material to prevent contamination –– even tiny stray particles could affect its performance.
NASA/Chris Gunn

A Goddard Grand Slam

This milestone is the culmination of eight years of spacecraft design work, building, and testing by hundreds of people at Goddard.

“Goddard employees were the brains, designers, and executors. And they worked with vendors who supplied all the right parts,” Townsend said. “We leaned on generations of expertise in the spacecraft arena to work around cost and schedule challenges that arose from supply chain issues and the pandemic.”

One time- and money-saving technique the team came up with was building a spacecraft mockup, called the structural verification unit. That allowed them to do two things at once: complete strength testing on the mockup, designed specifically for that purpose, while also assembling the actual spacecraft.

The spacecraft’s clever layout also allowed the team to adapt to changing schedules. It’s designed to be modular, “more like Trivial Pursuit pie pieces than a nesting egg, where interior components are buried inside,” Townsend said. “That’s been a game-changer because you can’t always count on things arriving in the order you planned or working perfectly right away with no tweaks.” It also increased efficiency because people could work on different portions of the bus at the same time without interfering with each other.

The slightly asymmetrical and hexagonal spacecraft bus is about 13 feet (4 meters) wide by 6.5 feet (2 meters) tall and weighs in at 8,400 pounds (3,800 kilograms).

the Roman Spacecraft Bus
While it may look small in this photo, the spacecraft bus for NASA’s Nancy Grace Roman Space Telescope is 8 feet (2.5 meters) wide by 6.5 feet (2 meters) tall and weighs in at 8,400 pounds (3,800 kilograms). In this photo, it rests atop an aluminum ring that will not be part of the observatory. The bundles of wires on top are part of more than 50 miles of cabling laced throughout the assembly to enable different parts of the observatory to communicate with each other.
NASA/Chris Gunn

One reason it doesn’t weigh more is that some components have been partially hollowed out. If you could peel back some of the spacecraft’s panels, you’d find superthin metallic honeycomb sandwiched between two slim layers of metal. And many of the components, such as the antenna dish, are made of strong yet lightweight composite materials.

When the spacecraft bus was fully assembled, engineers conducted a comprehensive performance test. Prior to this, each component had been tested individually, but just like with a sports team, the whole unit has to perform well together.

“The spacecraft passed the test, and now we’re getting ready to install the payload –– Roman’s instruments and the telescope itself,” said Missie Vess, a spacecraft systems engineer for Roman at NASA Goddard. “Next year, we’ll test these systems together and begin integrating the final components of the observatory, including the deployable aperture cover, outer barrel assembly, and solar panels. Then we’ll finally have ourselves a complete observatory, on track for launch by May 2027.”

To virtually tour an interactive version of the telescope, visit:

https://roman.gsfc.nasa.gov/interactive

The Nancy Grace Roman Space Telescope is managed at NASA’s Goddard Space Flight Center in Greenbelt, Maryland, with participation by NASA’s Jet Propulsion Laboratory and Caltech/IPAC in Southern California, the Space Telescope Science Institute in Baltimore, and a science team comprising scientists from various research institutions. The primary industrial partners are BAE Systems, Inc in Boulder, Colorado; L3Harris Technologies in Rochester, New York; and Teledyne Scientific & Imaging in Thousand Oaks, California.

By Ashley Balzer
NASA’s Goddard Space Flight Center, Greenbelt, Md.

​​Media Contact:
Claire Andreoli
claire.andreoli@nasa.gov
NASA’s Goddard Space Flight Center, Greenbelt, Md.
301-286-1940

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Ashley Balzer

Rob Garner: Editing Goddard’s Story to Fit the Space

Rob Garner: Editing Goddard’s Story to Fit the Space

News Chief Rob Garner shares NASA Goddard’s story with the public, supporting writers and creators in the Office of Communications.

Name: Rob Garner
Title: News Chief
Formal Job Classification: Senior public affairs specialist
Organization: Office of Communications (Code 130)

Rob Garner stands in the Goddard TV studio next to a galaxy image and a red NASA worm sign. The wall is made up of hexagons and lit by the sign and a purple light. Garner is smiling and is wearing a red button down shirt with white dots and stands with his arms folded across his chest.
Rob Garner has worked in the Office of Communications at NASA’s Goddard Space Flight Center in Greenbelt, Md., since 2007.
NASA/Jamie Adkins

What do you do and what is most interesting about your role here at Goddard?

I am responsible for helping take the great work going on at our center and sharing it with as many people as we can. My job is sort of like being an editor in chief. I try to set the tone for our storytelling and manage our publication schedule. Mostly I try to give our writers and other communicators the support they need to do their jobs — and then I try to get out of their way so they can do what they do best.

What is your educational background?

I have a B.A. in journalism from the University of Maryland, College Park, with a minor in astronomy, as well as a Master of Library Science degree focusing on archives, also from UMD.

Why did you want to be a journalist?

I sort of fell into the work that I am doing. In high school, I thought I would be a band director. I realized very quickly after high school that my enthusiasm for music did not align with my proficiency in it. Music remains an important hobby, but I needed to make a living doing something else.

I did not really enjoy writing until I got to college and had the opportunity to experience journalism. Tight writing, going straight to the source to get answers, accurate researching, it all appealed to me. I think journalism as a profession plays a critical role in ensuring an informed and functional society.

How did you come to work for Goddard?

After I graduated college, I worked weekends for a few months on the digital desk at WTOP radio, editing copy and updating their website. I was still looking for a fulltime gig, and I happened upon a newspaper classified for a position at Goddard. It called for a little bit of newswriting, a little bit of web editing, a little bit of science. Until that moment, I never imagined NASA could have a place for someone like me.

Goddard offered me a one-year fellowship in the Office of Communication (back then called Public Affairs) to do website editing for our Earth science team. The fellowship was renewed a few times, and eventually I became a general web editor, then also a social media editor, and eventually leader of the digital media team. In 2022, I became the news chief.

As news chief, what is your vision?

I take very seriously the part of NASA’s 1958 charter that charges the agency not just with conducting cutting-edge research, but also with sharing our work with the broadest possible audience. We must also drive home why what we do matters. The first thing I look for when reviewing copy is how well the piece addresses the “why.”

What makes a good science communicator?

Goddard has some 10,000 people, mostly researchers and engineers. Here, a successful science communicator is one who develops relationships among these different people and a deep understanding of their many projects. As communicators, we cannot do our jobs if we do not also have the trust of the people actually doing the science.

As a mentor, what is the one big piece of advice you give?

I tell our interns to jump in with both feet. So much of what we do and what we know cannot be found in any handbook or manual. So much of it is the institutional knowledge that each of us carries based on our own experiences.

Grab hold of the people who have the experience and take in as much as you can from them. Immersing in and embracing that Goddard culture is what will set apart a good colleague from a great one.

Everyone in the newsroom here knows that you are quite fond of the Associated Press (AP) Stylebook and the NASA Stylebook and Communications Manual. Can you please explain what they and why you are so fond of them?

One can think of AP style as an appendix or addendum to the dictionary, and the NASA style manual as an appendix or addendum to AP. The aim in having all of these mechanics standardized is to make it easier for the reader to read what you are writing. Even if one doesn’t know the rules governing serial comma usage, most of us can tell when what we’re reading is sloppy. Any time you force the reader to pause and review, there is a chance you will lose them. They may tune out and take their attention elsewhere.

These manuals lay out more than the mechanics of which states get abbreviated in what way, when to use semicolons, and when to use em dashes. They also give us guidelines about how to do our jobs, covering things like ethics, chain of command, and conflict resolution.

What do you enjoy best about your job?

My job is not just editing copy, fielding questions from reporters, or escorting groups for tours or documentary filming. I do enjoy all of that, but what I like most is that every day is different, and every day I learn something new. I love the variety of tasks and tactics that we use get our message out to the world. NASA plays a critical role in benefitting all of humanity by broadening our knowledge about the universe and our place in it. It’s personally very meaningful to me to have even a small role in that mission. And I enjoy working with a really great group of people.

You said in high school you thought you would become a band director. Have you kept up with playing?

In my free time, I do still play trumpet. For almost 20 years, I have played in community orchestras that draw repertoire from video game soundtracks. The past 10 years, I’ve been with the Washington Metropolitan Gamer Symphony Orchestra (WMGSO), along with my wife, who plays the violin. This group — well over 100 of us — originated when we were all in college, and we have continued together since then. What makes our group special is that we still do a lot of the orchestration ourselves, meaning that you cannot hear our music anywhere else. We meet once a week and perform three or four times a year throughout the D.C. area. We even have an album out, with another on the way soon.

Can you please tell us about your dog rescue volunteer work?

Since 2018, my wife and I have been involved with a couple area animal rescues. We typically take in newly weaned puppies and keep them for the weeks or months it takes for them to find their forever homes. While they are in our care, we keep them safe, fed, warm, and loved. We also socialize them as much as possible. The organizations take care of finding them homes through weekly adoption events.

My wife and I have three dogs of our own, two of which are rescues from this group. We have fostered hundreds over the years. I lost count somewhere north of 250 — and counting. I think it is important for everyone to find a way to make the world a better place. This is our way of doing that.

two bearded men in aloha shirts
Garner and then-Goddard News Chief Ed Campion celebrating the latter’s retirement in 2018. Aloha shirt Fridays were a mainstay of Campion’s tenure.
NASA/Bill Hrybyk

Who would you like to thank for helping you?

That’s a long list! I’m forever grateful to Goddard’s executive producer, Wade Sisler, who saw something in babyface Rob Garner, nearly fresh out of school, and gave me a chance at a toehold in NASA.

I definitely want to thank Ed Campion, our retired former news chief and “minister of truth,” for all he did for me. When I first got to Goddard in 2007, Ed was one of the first people to take me under his wing and teach me about Goddard and NASA culture. Ed came through the agency during some very hard times, both shuttle accidents, and some very important highs, like the successful Hubble telescope repair missions. He worked at NASA Headquarters in Washington and also at Johnson Space Center in Houston. I learned a lot about how to do this job, and how to treat your teammates, from him.

I also want to thank my wife Katie. She’s challenged me and encouraged me to grow into a better person. Raising a family together has been a wild ride, and it’s only just getting started.

What is your “six-word memoir”? A six-word memoir describes something in just six words.

“Omit needless words. Assume positive intent.”

The first half was the rule hammered into us in journalism school. The second half is the mantra I learned from Michelle Jones, former head of Goddard communications, about treating others with kindness and compassion. Michelle — now the deputy associate administrator for communications at NASA — is another mentor I could never thank enough for helping me get where I am.

By Elizabeth M. Jarrell
NASA’s Goddard Space Flight Center, Greenbelt, Md.

A banner graphic with a group of people smiling and the text "Conversations with Goddard" on the right. The people represent many genders, ethnicities, and ages, and all pose in front of a soft blue background image of space and stars.

Conversations With Goddard is a collection of Q&A profiles highlighting the breadth and depth of NASA’s Goddard Space Flight Center’s talented and diverse workforce. The Conversations have been published twice a month on average since May 2011. Read past editions on Goddard’s “Our People” webpage.

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Sep 16, 2024

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Rob Garner